Every once in awhile I brave the dark corridors of my closet, or a filing cabinet and throw things out. The truth is, if someone crept in while I was away and threw everything out that is in the back in a box, I would never miss it. But once you expose short stories and letters from camp pen-pals and dusty little buttons from your grandmother to the light, they somehow reclaim a feeling of importance. How did I live without that? I finally threw out all rejection letters that didn't have a note of positive in them. It's strange to read the rejection letters next to the acceptances. In one breath my writing hasn't caused them to fall in love, and just a page away, it has.
To one editor, my writing was melodramatic. To another, it was stellar. How strange. How maddening. How funny a way to look at oneself.
Mostly I like to read my old writing. Stories and vignettes long forgotten and abandoned, half started about obsessive-compulsives with dying mothers or ticket scalpers or virgins in Italy. A strange melange of thought and dream, these papers. I still miss the rapture that came in those days, when writing felt alchemical--transformed me from screwed up girl into someone with a sense of purpose.
Writing still transforms me, or maybe more accurately it keeps me balanced, but I am often mystified by the girl who wrote a particular paragraph. Wondering who I was at that given time, with only those few sentences there to explain anything.
3 Comments:
I jsut recently sold one of my older short stories that had been siitting around for years. you just never know what might happen whe you go digging around.
When taken as a whole, it seems much more clear to me how much editorial comments are just one person's opinion. Love that.
>>But once you expose short stories and letters from camp pen-pals and dusty little buttons from your grandmother to the light, they somehow reclaim a feeling of importance.
I love those moments.
Post a Comment
<< Home